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Linear Obsessional is a label for free digital recordings, and limited edition physical runs of experimental and improvised music by musicians from around the globe.Most of the music is published under a Creative Commons Attribution Non-Commercial ShareAlike 3.0 Unported License. This meansthat the music presented here is free to download, and you are welcome (indeed encouraged) to share it, and use it how you wish, as long as full credit is given to the creators. There are a few exceptions, where the artist has specified a different licence, and the occasional physical release.Linear Obsessional is put together by Richard Sanderson, an improvising musician based in South London.For much more information please visit the. Linear Obsessional presents the new album from English underground pop mainstays The Original Beekeepers, who have been releasing low-level works of sardonic pop genius for the best part of 30 years.

'How The River Runs Dry' is a collection of interconnected songs that piece together a story set in British suburbia. Featuring dryly humorous lyrics and the kind of intricate arrangements (including a brass section and guest vocalists) for which the band has become known, this album. Topics: The Original Beekeepers, London, English Pop, Pop, Linear Obsessional, Suburbia.

A soundtrack to the J G Ballard short story. Linear Obsessional's first release of synthesizer music (but our second of music related to the work of JG Ballard see LOR010), Paul Wady's haunting and austere work took something like 30 years to reach fruition.

Finally recorded in 2009 'The Terminal Beach' is as strange, emotionally void and as powerfully compulsive as its subject matter 'I found many ways out of this nihilistic world of the early 80s. But it left me with a great. Topics: Electronic, JG Ballard, synthesizer, experimental. A while back, Frans de Waard said in a review of my music published in his Vital Weekly that, perhaps he had been 'clouded by ill-judgement' in that he had been under the impression that I was just 'one of the drone boys'.

I was a little amused by this because, aside from my association with Drone Forest, I had (up until that time) never actually put out much music under my name that could really be categorized as pure drone music. Drones have been an important touchstone in. Topics: experimental, drone, noise, minimal, electronic, C.Reider. 'Electrical Tape' is an album of music for the Mellotron, composed and performed by Duncan Goddard of Radio Massacre International. Notes- Outside of folk music, very few instruments carry as much cultural baggage as the Mellotron. In the same way pipes and drums instantly evoke Scotland, an accordion Paris, pan-pipes South America, so the strange tones of the Mellotron instantly bring you to the 1970s and particularly progressive rock and German experimental rock. This connection may.

Topics: mellotron, prog, radio massacre international, duncan goddard, drone, kosmiche, cosmic. Linear Obsessional is delighted to present this album of two recent pieces by the legendary British folk/blues/world/avant garde guitarist Mike Cooper. 'Forbidden Delta Planet Blues' is a long form work built from over lapping loops and featuring some beautiful Hawaiian style slide guitar. 'The Pain Was Bad, But The Tuna Good' is a spellbinding live solo performance recorded at London's 100 Years Gallery. 'Forbidden Delta Planet Blues' is a solo for a steel.

Topics: Mike Cooper, slide guitar, avant garde, loops, Linear Obsessional. Download includes PDF booklet of sleevenotes, photographs and full credits. Music for Barges Released Version - Part one: 1. It'll All Come Out In The Wash 2.

Music For Barges 4. A Place To Stay Part two: 5. Dramatic Dulcimer 6. City Lights 8.

Painting The Rococo Gardens 9. Bagpuss Bells 10. Rafine Hoshida (Old Lady Version) 11. Take Me To The Sea Part three: 12. Night Frogs 13. Row The Boat 1 14.

Row The Boat 2 15. Take Your Time 16.

Lead Me To The Sea Part Four 17. Favorite favorite favorite favorite favorite ( 3 reviews ) Topics: dreamy, pop, ambient, experimental, english, barges, drones, nostalgia, dulcimer, accordion. Composer Sam Fendrich's latest collection (his fourth for Linear Obsessional) continues in the vein of the shorter works heard on 'The Unquestioned Answer', with concise, maximal, dense structures punctuated by allusions to other genres (in this case including jazz,blues and rock) and all employing the restless imagination and mordant wit that characterises his work.

'LIFE' (terms and conditions apply) however has an added urgency - all the pieces are recent compositions. Topics: maximal, composition, linear Obsessional, Sam Fendrich, electronic, experimental. This album is a high quality live recording of an improvised performance recorded in Berlin in 2003.

The trio of Californian experimental vocalist Anna Homler and British free improvisers Steve Beresford and Richard Sanderson first met at the Copenhagen Festival of Experimental Music in 1999 in a concert of 'Toys 'n' Noise' put together by the toy player Martin Klapper. They have continued to play together whenever possible and have played at the London Musicians' Collective. Topics: improv, free improvisation, toys, steve beresford, richard sanderson, anna homler, experimental. Linear Obsessional is delighted to present a new album by London based improvising cellist Hannah Marshall. 'Tulse Hill' is a series of improvisations on a cello with the strings de-tuned to new pitches.

This makes different resonances and creates pleasing tone relationships between the open strings. I first started playing in this way while working with a movement artist Nikki Tomlinson on a piece performed in Spitalfields church in May 2009. The reason I continued to play and make.

Topics: cello, free improv, improvisation, experimental, London, micro-tonal, field recordings. Linear Obsessional's third annual 'open access' release is built around a simple premise - open your window and record two minutes of what you can hear. Interacting with it live if you wish, or editing and processing the recordings later.

From this concept has emerged this 85 track, 2 hour 50 minute compilation of extraordinary recordings from all over the world. The download also includes a 62 page booklet of detailed notes, photographs and an essay. Credits released December 24. Topics: field recordings, global, experimental, improvised, window, linear obsessional. For the first release of 2013, Linear Obsessional is delighted to present a radical new EP by Jude Cowan Montague. 'Winter Hill Sings' is a collection of short multi-tracked vocal works informed by folk singing and hill walking. The accompanying PDF booklet includes new texts, poetry and artwork by Jude.

Credits Recorded by Brian O'Shaughnessy at Bark Studios, Walthamstow in 2012. Jude Cowan Montague: Voice and instruments (double bass, phono-fiddle, percussion) All songs by Jude. Topics: traditional. Hill walking, experimental, freak-folk, drone, Jude Cowan Monatgue, Linear Obsessional. Linear Obsessional is delighted to present this daring and extraordinary solo album by the acclaimed Irish trumpeter Ian MacGowan (previously known as Ian Smith).

Windmap is 40 minutes of improvisation recorded at the musician's home - a bravura performance in which MacGowan runs the instrument through a an amazing sequence of techniques exploring every aspect of the possibilities of sound production - from virtuosic upper register flurries with mute, extreme lower register rumbles. Topics: free improvisation, solo improvisation, trumpet, flugelhorn, Ian MacGowan, Linear Obsessional. After releasing my album of melodeon and electronics improvisations, I decided to ask my friends whether they would be interested in reworking any of the material- 'Please take any music at all from the new release ('Air Buttons' by me) and do what you want with it - mangle it, remix it, add things to it, sing over it, play a duo with it, slow it down, turn it into a tune, cut it up, whatever.

BUT please make your contribution EXACTLY TWO MINUTES LONG'. I was astonished.

Topics: avant garde, melodeon, experimental, short pieces, linear obsessional, richard sanderson, remixes. LO is excited to present this extraordinary collection of evocative and hallucinogenic works by the US composer Bruce Hamilton.

'Drams' is a collection of sound works held together by connections to notions of dreaming. While many of the pieces are, in a sense, ambient, whether from the presence of drones or use of field recordings, my intent was more to create a kind of animated presence- a surreal and vivid soundscape. Some of these works were the result of participation in online. Topics: ambient, acousmatic, electronic, experimental, bruce hamilton, linear obsessional, microtonal. Solaris was formed by Mark Sanderson, Richard Sanderson and Mark Spybey as young krautrock fans in Teesside in 1974, when they were aged 12 and 13. As the members grew up through post-punk, electronic music and free improv they have remained friends and still occasionally record together.

These sessions were produced my Mark Spybey in Northumberland in 2010 and 2012 during the Summer holidays, and although the musicians have matured in the intervening decades, the influences of those original. Topics: Teesside, improv, post-punk, experimental, Linear obsessional, krautrock. Linear Obsessional is proud to release 'Pulse' the debut EP from Project Mycelium, an experimental duo from Hackney, London. Luke Brennan and Lorenzo Santangeli work from tiny minimalist fragments of acoustic samples- they explore texture and dynamics to build an extraordinary and beautiful piece of music, that seems to reference several stages in electronic music from the 50s and 60s whilst also being strikingly futuristic. Credits released January 8, 2016 Produced, Recorded.

Topics: electronic, electro-acoustic, samples, Linear Obsessional, London, experimental, Linear Obsessional. 'A Goose is a Horse' finds Scottish improviser Ivor Kallin using field recordings as a basis for vocal improvisations. These range from an extended raga-like vocal workout to the surprisingly hypnotic strains of a concrete pumper, to a lilting tune on the Cal Mac Ferry, and a bizarre rant on the London Underground by his pseudonymous poetic creation Ambrosia Rasputin. Release includes PDF booklet of notes and images. Cover photograph by Rob Anderman. Ivor Kallin.

Topics: vocal, experimental, scottish, avant garde, harmonium, improv, free improvisation, Ivor Kallin. Linear Obsessional is delighted to present this atmospheric work by Dave Clarkson, inspired by childhood memories.

'Music for Lighthouses Early fires built on hilltops.an entrance marker to ports. Beacons illuminated via wood and coal.

Illumination with smokeless flame. Leasowe lighthouse (located on the North Wirral foreshore, NW England) is the oldest brick built lighthouse in Britain. It stands one hundred and one feet tall and was used to guide ships into the entrance to. Topics: Linear Obsessional, electronics, field recordings, lighthouse, experimental.

Hitting a note of feedback and then bending it out of shape – the bellows opening like lungs before a dive– hums and faulty equipment - recorded in stolen moments 2013 to 2016 - working with the tonality, the physicality and the heritage- buttons pinging – air rushing – five minutes for Christopher Hitchens -copper reeds bending – staring at an astronomical chart to empty mind whilst working out a sound– tracks 2 and 5 recorded live at Hundred Years by Graham MacKeachan, – “the. Topics: melodeon, improvisation, experiemental, squeezebox, button accordion, accordion, Richard Sanderson. 'Air Buttons' is an album of improvisations for melodeon and electronics. Download includes a PDF booklet of notes and images. Richard Sanderson- Melodeon, Footpedals ElectronIcs, Wind-Up Gramophone, Contact Microphone, Field Recordings.

These pieces were recorded at home in Hither Green, usually on Friday afternoons when the housework was done and before the kids came back from school. As with my previous album of melodeon improvisations the instrument was recorded in three different.

Topics: melodeon, button accordion, experimental, improvisation, free improvisation, Linear Obsessional. 'Van Quixote' consists of the soundtracks to a number of short films made by the British improvising guitarist John Bisset.

Available as a download, or as a double disc set complete with a DVD of all the films. The films can be seen here. 'thus wrapped up in agreeable delusions, and hurried on by the strange pleasure he took in them, he hastened to put in execution what he so much desired.' (Don Quixote, part 1 chapter 1) When I was sixteen I ran away from home, with a copy of. Topics: john bisset, improv, experimental, guitar, film, field recordings. Linear Obsessional is proud to release the third album of music by the effervescent composer Sam Fendrich- The Unquestioned Answer - Notes This is a compilation of some shorter electronic pieces completed in the not too distant past. 1,2,3 HMHC (the Henry Miller Horn Concerto) Another in an obsessive series concerning 'Man versus Machine' 'Machine Versus Machine' ' 'and they said futurism is a thing of the past' ' T4 'Urp' A joyous ode to the digestive.

Topics: maximalist, jazz, classical, compostion, linear obsessional, sam fendrich, piano, electronics. Linear Obsessional is very excited to release an astonishing new album from the improv/electronic group Longstone.

Risaikuru: a musical interpretation of two photographs taken in Miyagi prefecture, Japan April 2013. ( Onagawa ) soil created from recycled tsunami rubble being used to help reconstruct the town. ( Enoshima ) a tsunami tideline of scattered objects high up on the central hill of a tiny inhabited island. For Longstone's risaikuru project, each member of the group viewed.

Topics: Longstone, electronic, improv, Japan, Linear Obsessional, piano frame, guitar, woodwind. Linear Obsessional is delighted to present a new solo album by the British vocalist Viv Corringham. On 'Gum and Butts' Viv returns to London (she's now based in New York) and records in six unique sonic spaces, responding and reacting to the environment in real time. The result is a spellbinding mix of evocative field recordings and dazzling, 'extended technique' vocalising.

Released 20 October 2013 Notes- 'This is a collection of live vocal improvisations with the. Topics: improv, experimental, field recordings, viv corringham, linear obsessional, vocal, extended. Gardening is a collection of solo acoustic guitar improvisations, performed and recorded by Steve Moyes in the back garden at his home in Gillingham, Kent, England, during the Spring of 2012. Equipment used: 2 acoustic guitars (one of which is broken), baby knife, hand-held mini fan, 45 rpm record (A Chill At Dawn by Barney Bigard and his Orchestra). Occasionally both guitars were played at once (one with each hand). 'I don't consider myself either an acoustic guitarist or a gardener. Topics: acoustic guitar, guitar, free improv, field recording, improvisation, noise.

When David Teboul of the extraordinary ambient outfit 'Linear Bells' approached me with a view to releasing an album on my netlabel, I found myself with an unexpected dilemma. I told David that whilst I would be delighted to release some of his music, I had a problem in that I could envisage 'Linear Bells' as potentially being seen as the Linear Obsessional 'house band' through the name. I may have been unduly cautious, but instead I offered David a commission - to. Topics: experimental, drone, noise, linear bells, linear obsessional. Dirch Blewn is the project of musician David Bloor.

He records and performs the instruments of Peter Blasser. Recorded live with a few overdubs this music is the sound of capacitors charging and dissipating, of gesture with no finesse, of fish guts and physical connection with wires. Flexing wood and the smell of tung oil. It’s about the drum of Tommy Lee added to some drama from Pamela, the heady mix of surfboards and silicon. The remnants of squeezing jelly ass signal into 8 bits.

Topics: electronics, improvisation, experimental, new instruments, Dirch Blewn, Peter Blasser. 'this this' is an extraordinary collection of sounds made with a Raspberry Pi (the credit card sized bit of circuitry which is used to teach kids about coding). Maguire manages to create a world of microscopic sounds, clicks, whirrs and fields of electrical noise that are compellingly alien, and yet capture something of the excitement of those early forays into 'glitch' music of the mid '90s. It's a whole new delicate beauty.

This this - raspberry pi, pd th at ti me wh en. Topics: glitch, electronica, phil maguire, linear obsessional, raspberry pi. 'Music is the manifestation without activity. It is the pure act of swimming on its own bosom.

Music neither goads nor defends, neither seeks nor explains. Music is the noiseless sound made by the swimmer in the ocean of consciousness' -Henry Miller: Tropic of Capricorn released 27 February 2012 Sam Fendrich (b. 1947, Novosibirsk, Siberia) is a composer who lives in London. Other interesting facts about Sam include that he spent a year as a professional poker player, that he composed. Topics: computer music, composition, 20th Century, piano, organ, electronic. Sam Fendrich (b.

1947, Novosibirsk, Siberia) is a composer who lives in London. Other interesting facts about Sam include that he spent a year as a professional poker player, that he composed 39 songs for 'Humphrey The Bear', an Australian Children's TV programme, and that he has a deep interest in mathematical philosophy.

When not composing, he teaches higher mathematics. For more about Sam Fendrich read the Baggage Reclaim Questionnaire- bagrec.livejournal.com/248973.html credits.

Topics: experimental, composition, piano, complexity. Linear Obsessional is delighted to present this new release fromChris Whitehead - A CD of sounds to be played to metal plants, with an accompanying detailed PDF guide. This CD was released simultaneously with Mark Browne's 'The Prejudices of History' - with which it shares some concerns. 'Since the Industrial Revolution the soil in Britain has changed considerably in its formulation. Where once it almost exclusively consisted of organic matter, it is now likely to hold high.

Topics: documentary, botany, field recording, experimental. Chris whitehead, Linear Obsessional, drone.

Here at Linear Obsessional you may have noted we have a fondness for squeezeboxes and free improvisation, which is why we jumped at the chance to release an album by the amazing British accordionist Mike Adcock (once of Accordions Go Crazy amongst others). 'Accord' is a collection of improvised duets with a series of musicians - and is wonderful showcase for Mike's sensitivity as an improviser and his wonderful musicality as a accordionist. Each track features Mike Adcock on piano.

Topics: accordion, free improvisation, duets, duos, experimental, Linear Obsessional, Mike Adcock. Linear Obsessional is delighted to release this exciting collaboration between the great British maverick slide guitarist Mike Cooper and the Chinese Sheng virtuoso Yan-Chiu Leung. 'We had never met each other before this concert. We had exchanged a few mp3s to give each other an idea of what musical oceans we both float in and then attempted to navigate our way together by free improvisation toward some distant shore. I think we arrived at a beautiful island together finally.

Topics: mike cooper, linear obsessional, hong kong, free improv, experimental. This is the first release in Linear Obsessional's 'RetroLinear' series- bringing attention to missed opportunities and lost leads from the past. This EP by the Teesside post punk band Tick Tick was recorded at Guardian Studios in County Durham in June 1980, 'My Swelling Heart' was intended to be released as a follow up to the band's 12' EP 'The Immortalisation of Tick Tick' by the expanded, more dynamic version of the band, but never got out of the can. Topics: post-punk, teesside, middlesbrough, 1980, Linear Obsessional. In the second in a series of duo releases, Linear Obsessional brings together Greek improvisor and circuit bender Tasos Stamou with UK free saxophonist Adrian Northover for a series of short interactions. Playful and sometimes startling these pieces run through a surprising series of atmospheres and moods, from modal drone explorations, to far-out collisions of brittle electronics and circular breathing crescendos. Adrian Northover- Alto and Soprano Saxophones Tasos Stamou - Prepared Zither.

Topics: saxophones, electronics, circuit bending, digital horn, free improv, improvisation, duos, Linear. Download comes with accompanying PDF booklet 'Much of the music on Contractions for Ophelia was used as background to the birth of Weatherglass's grand-daughter, hence the title.

All the music originated on acoustic instruments, including plucked and bowed acoustic guitar, lapsteel guitar, harmonium, accordion, dulcimer and found objects. Cornwall and Sykes Reservoir feature as special environmental guests, and vocals were supplied by various waterfowl and a budgie.' - Weatherglass. Topics: Experimental, drone, ambient, acoustic, guitar, lapsteel, dulcimer, accordion, field recordings. Linear Obsessional is very excited to present a new album of electronic music from Kev Hopper (Stump, Ticklish, Prescott) created entirely with self-designed virtual machines. 'Tonka Beano' is a delightful exploration of unique sounds, textures and rhythms - a bubbling, effervescent concoction where each track seems to tell a story- sometimes light, sometimes dark, but all within the recognisable sonic spaces that Hopper has made his own.

The download comes with a PDF booklet with. Favorite favorite favorite favorite favorite ( 1 reviews ) Topics: electronic, stump, ticklish, abstract, filmic, kev hopper, linear obsessional, acousmatic, reaktor. Linear Obsessional has wanted to release something by the Spanish sound artist and phonographer for over two years. I'm delighted to present this extended and engrossing piece- Ensenada de San Simon is such a legendary place that even Jules Verne was fascinated by it.

It was here, in San Simon, where the French science fiction writer placed the docking of the Nautilus, commanded by Captain Nemo, in his fantastic novel Twenty Thousand Leagues Under the Sea. Topics: field recording, linear obsessional, phonography, documentary. Linear Obsessional Recordings releases the second album by prosaically named improvising trio Browne/Thompson/Sanderson. Like the first album this was recorded in the sonically vivid surroundings of a Girl Guides's Hut in Aylesbury Browne's home town. Where the first album was a document of the trio's very first meeting, this album comes after a whole series of gigs played by the trio, and shows how they have learnt to work together and find their own language. Browne and Sanderson have. Topics: free improvisation, guitar, saxophone, percussion, melodeon, Linear Obsessional, UK.

Seeing as Longstone's album 'Risaikuru' was built around the theme of recycling and renewal, it seems more logical than usual to produce an album of remixes. The Linear Obsessional artists asked to contribute have come up with a series of radical remixes of the original material - putting the sources through kaleidoscopic transformations, additions, subtractions and reconfigurations that enhance the power and beauty of 'Risaikuru', whilst re-imagining the landscapes evoked. Topics: remix, longstone, c.reider, richard sanderson, peter marsh, iris garrelfs, dave clarkson, duncan. 'Malapert and Erratic' Or 'a peculiar use of language' (Notes taken from PDF booklet available with download) Current Obsessions When approached to put together a release for Linear Obsessional I initially considered providing a long structured solo soprano saxophone piece. This would have excluded the greater part of my current activity and interest. In particular my aspiration to remove performance completely and publish little instructions on the re-creation. Favorite favorite favorite favorite ( 1 reviews ) Topics: Experimental, noise, improvisation, free improv, saxophone, guitar, field recordings, percussion.

The fourth of Linear Obsessional's annual 'Open Access' compilations of tracks exactly two minutes long. This time the theme was the human voice. 112 tracks from around the globe exploring all manner of approaches to the sounds of the 'first instrument' '.The results are here- an astonishing 112 tracks, that's 3 hours and 44 minutes. Itself a pretty sobering statistic. As before, tracks have come from all around the world, from musical and non-musical friends.

Topics: compilation, experimental, voice, utterances, linear obsessional. 4 improvisations by SE London based improviser and composer Jude Cowan Montague.

Free Download comes with PDF Booklet of photos, notes and artwork. I always thought I would return but so far this hasn't happened. Yet my experiences of singing in the Mingkabau dialect of Sumatra Barat have survived and transmuted into strange audio patterns that I carry around inside. This album consists of improvisations looking at these memories of songs with their mis-remembered words and melodies. Favorite favorite favorite favorite favorite ( 8 reviews ) Topics: experimental, composition, synthesizer, vocal, Sumatra.

Far Rainbow create vast neo-psychedelic slabs of gradually developing sound. 'Somewhere Out There Was The Wave' is their first CD release (following an acclaimed series of cassettes on Zero Wave) and perhaps their darkest and purest release so far- a single expanding piece created from murky drones and loops and ominous percussion, the work has enormous dynamic control and intensity that sustains interest for its full duration. Credits released December 10, 2016 'Somewhere Out. Topics: drone, noise, drums, electronics, improvisation, Far Rainbow, Linear Obsessional. Linear Obsessional is delighted to present this collection of edited improvisations by Peter Marsh and Paul May. Exquisitely recorded with an unusual and fascinating use of field recordings 'Falling, More Slowly' is an intricately structured and rather beautiful collection. Credits released 07 June 2013 Composed and decomposed by Peter Marsh and Paul May.

Paul May - drums etc Peter Marsh - other instruments, field recordings, computer Drum recordings by Jon Clayton at One Cat Other. Topics: improv, experimental, field recordings, Paul May, Peter Marsh, Linear Obsessional. Recorded by a stretch of the A12, built in east London in the 1990s, 'Near Wanstonia' is an atmospheric journey, a distillation of a rich variety of sounds. Almost twenty years ago, large scale protests against the construction of the road were ignored and Wanstonia was one of several 'free states' set up by occupying environmental activists along the proposed route. The album, although at times resonant of sadness felt, is also a resilient, optimistic and an occasionally humorous expression of. Topics: experiemental, improvised music, improv, field recording, A12, Wanstonia, road protest, East. 'South Gare is at the southern side of the entrance to the River Tees and is a man made area of reclaimed land constructed largely out of blast furnace slag and concrete.The skyline is dominated by industry, notably the huge Redcar Steelworks, yet the Gare is popular with birdwatchers and walkers.

It is an interface where two worlds meet and overlap. There are many layers of resonance.A fascinating place from which to glean sonic raw material.' -Chris Whitehead All sounds recorded. Topics: field recording, phonography, experimental, Teesside, Tees, UK. Linear Obsessional launches back into action with this evocative and hallucinatory album of new sound works by the Canary Islands based artist Paco Rossique.

Created from treated field recordings and the unique timbres of the prepared piano - 'Collages & Dispersions' is a wonderful piece of work that rewards many listens. The download comes with a PDF of texts and extraordinary images by the artist. A very limited physical edition is available from Topics: field recordings, prepared piano, Canary Islands, Paco Rossique, experimental, linear obsessional. To ease us into summer, here is a delightfully linear-minded EP from Alex Charles (whose 'Hourse' was an early 'hit' for Linear Obsessional). 'Trevenec' follows the sound of single bell, repeating and folding in on itself. More and more levels are added as other sounds and voice enter the mix, gradually accreting into a richly textured drone. This 15 minute live laminal piece comes with a PDF version of Alex Charles' inspirational self-published pamphlet.

Topics: liminal, ambient, experimental, noise, drone. British sound artist, saxophonist and noise maker Mark Browne follows up his 2012 album 'Malapert and Erratic' with this EP- featuring improvisations on percussion, bowed guitar, thigh bone and saxophone recorded on the evening of the 7th December 2013. 'The Prejudices Of History' Or as I remain pleased with part 1, 'Malapert and Erratic part 2' Over the years I have become increasingly aware of what I do as a musician and the need to at least appear to conform to.

Topics: free improvisation, thigh bone, experimental, saxophone, percussion, Mark Browne, Linear Obsessional. These sound poems were created after four series of photographs by Jason Larkin and put together for 'The News Agents' on Resonance FM in early 2014. Readings were initially recorded in Montague's home studio before being sent to Layton for their acoustic treatment. Credits Jason Larkin is a British photographer, internationally recognised for his long-term social documentary projects, environmental portraiture and landscape reportage. His immersive process and slower approach to journalism.

Topics: poetry, photography, jude cowan montague, steve layton, experimental, experimental. The recordings in this release are all of items that are usually powered by electricity - a Casio keyboard, a Korg midi controller, a Fender electric guitar, a digital camera, and an Xbox controller. All of these things lose most, or all, of their functionality when starved of power. By close mic'ing, or attaching piezos, I have amplified the accidental sounds of the switches, sliders, clips, cases, and textures of the objects, and have presented familiar items in an unfamiliar way. Favorite favorite ( 1 reviews ) Topics: electronic, lower case, experimental, magnified sounds, linear obsessional. Linear Obsessional is delighted to release this extraordinary solo EP of a tam-tam performance by Mark Wastell, one of the founders of the 'New London Silence' movement, and a truly original presence on British improvised music scene. 'During late October 2006, Burkhard Beins and myself has been invited to undertake a short tour, entitled 'Minimal Percussion', organised by film maker and sound recordist David Reid.

We presented solo and duo material at each concert. Topics: improvisation, percussion, minimal, Mark Wastell, London. The viola improvisations are inspired by the classical Scottish pibroch bagpipe tradition, with the vocal canntaireachd, accompanying the melody, if you can call it that.

Naruto shippuden shinobi rumble nds rom download english. We DO NOT HOST or PROVIDE ROMs/WADs/ISOs; or link to websites that do contain ROMs/WADs/ISOs. QUOTE 'Warez' - ROMs, WADs & ISOs 'Warez' is an internet term used to describe copyrighted software, game, film, music and data piracy. Thanks man u helped us a lot.-snip- Haven't you read the rule here?

Cowan And Steel Free Download Full

In the style of George Benson or Tristan Honsinger, you might say. The recordings are live, either from Smoo Cave near Durness, or in my pre-decorated bedroom, I can't quite remember, but date from February 2012.Ivor Kallin released 02 March 2012 Viola, Voice - Ivor Kallin Recorded February 2012 Cover Photograph by Rob. Topics: viola, free improvisation, bagpipes, scottish, experimental.

For his second album for Linear Obsessional, Dirch Blewn (AKA South London electronicist David Bloor) produces one of the strangest and most arcane and compelling albums we've released. With several tracks recorded whilst camping in the countryside, featuring resonating gongs, cymbals and road signs, his own instruments and ample interventions from surrounding wildlife. Despite the detailed notes about the tracks in the accompanying PDF booklet, the impression remains of eavesdropping on some. Topics: experimental, field recordings, Dirch Blewn, improvisation, Linear Obsessional. New work from the Manchester based recondite electronicist and field recorder Dave Clarkson, and like his last acclaimed album for Linear Obsessional 'Music for Lighthouses' (and indeed like all his recent work!) 'A Red Guideto the Coastal Quicksands of the British Isles' is another sombre meditation on coastline Britain. This one using bleak, enveloping field recordings from various coastal locations, infused with unsettling yet eerily beautiful electronics. Favorite favorite favorite favorite ( 1 reviews ) Topics: field recordings, electronics, experimental, coastline, UK, Dave Clarkson, Linear Obsessional.

For her first album for Linear Obsessional, the Japanese vocalist and electronics player, and former member of Frank Chickens presents a collection of extraordinary tracks all recorded live. From freaky and extraordinary voice-modulated improvisations to oddly affecting eco-surreal chansons, this is a wonderful introduction to the witty and bizarre world of this singular artist.

Credits released November 28, 2016 1 to 5: Kamura Obscura solo live from 2013 to 2016 Atsuko Kamura (Vocal. Topics: Kamura Obscura, Japan, Noise, improvisation, experimental. A collection of brilliantly eclectic instrumental electronic works by the British instrumentalist and composer Pete Flood, probably best known as the drummer in UK folk powerhouse Bellowhead. 'Mycoworld' is beguiling, baffling and wonderful. 'Fungi are just the visible fruitbodies of a larger underground organism. I don't understand what goes on underneath the leaf litter. I like to think of the invisible, thread-like mycellium spreading through the soil, forging connections with.

Topics: mushrooms, fungi, bellowhead, pete flood, linear obsessional, experimental. 'Arms' is the long awaited second studio album by the London avant-rock quartet Lost Robots, the follow up to 'No' released by Orchestra Pit Recordings. This has a more cohesive feel, as there's less instrument swapping and more definite 'band-feel'. The usual influences are noticeable - early Can, This Heat, 'Hex' period Fall and Italian Gallo soundtracks. Vocals are tackled by Richard Sanderson and Mark Braby and each includes a spoken word piece with. Topics: post-punk, avant-rock, London, Linear Obsessional, improvisation. Linear Obsessional is delighted to present a collection of minimalist slow motion 'ambient' works by the Californian composer Paul H.

Despite the similarity of approach on all the tracks, this collection demonstrates the variety that Paul achieves, from the almost Wagner like chords of 'Water Receding' to the submerging choir of 'Bathyscape'. This edition comes with 6 PDF files of composer's notes and scores. NOTES BY THE COMPOSER How These Pieces Are. Topics: california, composition, minimalist, drone, ambient, experimental. Linear Obsessional is delighted to present this spare and engrossing album by two experimental musicians from St Petersberg, Russia - Denis Sorokin and Sergey Vandyshev.

Sorokin plays the electric guitar whilst Vandyshev works with Pure Data. The scintillating music on this album works with the contrast between Sorokin's essentially melodic and understated guitar work and the mutating noise and sound masses created by Vandyshev. The electronics mould themselves around the plangent plucks of. Topics: Pure Data, electronics, electric guitar, improvisation, noise, drone, Linear Obsessional. I'm always excited to present new work by the Siberian born British composer Sam Fendrich. 'Blue Tears'​ is his most visceral, compelling and direct work to date.

​ 'Dear Richard As is no doubt obvious to you, “Blue Tears” is in some respects, a new ‘compositional’ approach for me in the following sense. Whilst the ‘style’, ‘techniques’ etc of “Blue Tears” figure as elements in many of my pieces here they are presented ‘raw’ ie divested of the other. Topics: keyboards, blues, distortion, electronics. Sam fendrich, linear obsessional, piano. Linear Obsessional Recordings are excited to present this extraordinary duo- featuring textural recordings of extended technique saxophone and turntable with specially recorded dubplates. 'Estigate' is a thrillingly original recording.

Colin Webster: Tenor and baritone saxophones Graham Dunning: Turntable, mixer and dubplates. Recorded on 12th January and 15th August 2012 in a storage facility in South London. All tracks recorded live. No overdubs or cuts.

Download includes PDF. Topics: free improv, improvisation, saxophone, turntables, dubplates, linear obsessional, graham dunning. Fabio Keiner prefers to keep biographical details to a minimum, and for his sounds to speak for themsleves.

He claims no notable musical background, coming late to making sounds after being exposed to the abstract avant-garde. See also fabiokeiner.bandcamp.com credits released 30 January 2012 Minimal electronic works realised and recorded by Fabio Keiner, Vienna, 2012. Cover image by Fabio Keiner. Executive production by Richard Sanderson.

Favorite favorite favorite favorite favorite ( 1 reviews ) Topics: minimalist, electronic, silence, space, minimal. Linear Obsessional is delighted to present this concise and scintillating EP by the British improvising saxophonist Sue Lynch.

Featuring some of the leading musicians from the London improvised music scene. '“These Lamps” CD, results from a series of collaborations with musicians since2012, whilst running The Horse Improvised Music Club. The Exception to this is Louise McFadden (who I have known since the 1980s) of B-Shops for the Poor and co/founder, vocalist sax player of The Remote. Topics: free improvisation, saxophone, flute, Sue Lynch, Linear Obsessional. In May 2014 the London based improvisers Daniel Thompson (guitar) and Richard Sanderson (melodeon- a diatonic button accordion) travelled to a Guides' Hall in Aylesbury to meet up with saxophonist and collector of objects Mark Browne. The plan was to record music, although the trio had never before played together. Download includes a PDF booklet of photographs with an essay.

A physical edition is available from The result is 'The 1926 Floor Polish. Topics: free improvisation, Mark Browne, Daniel Thompson, Richard Sanderson, Guitar, Melodeon, improv.

This album is the second collection of remakes and treatments of improvisations recorded with one microphone in Balham on the 23rd December 2011. The source material was taken away and mixed, edited and processed by the two performers individually. It is the follow up album to 'Corks' which was released by Linear Obsessional on the 11th February 2012. No further volumes will be issued. Credits released 04 March 2012 Clive Pearman plays guitar, resonator guitar, banjo, ukulele, paper.

Topics: improvisation, acoustic, resonator guitar, melodeon, free improv. 'The Earliest Humans' is an explorative guitar record, (originally released on Pearman's own 'Fat Ghost' label) revelling in unconventional textures and unexpected harmonics. The album works in under-explored string sounds from over-the-bridge twangs to clock-like chimes built around the ghostly, silver-thin strains of a resonator guitar. This is post-Fahey American-primitive playing pushed through digital filters and beyond.

Recorded throughout 2010 in Balham, South London. Topics: acoustic, resonator, minimalist, guitar, banjo, dobro, experimental. Linear Obsessionalis delighted to present this beautifully recorded collection of intimate duos from Chris Cundy (bass clarinet) and Benedict Taylor (viola) 'These eight duos were recorded at the chapel of Francis Close Hall. It’s a space I’ve been familiar with for close to twenty years now, providing me with a home for various musical collaborations, concerts and recording sessions. Recorded by music archivist and friend Chris Trent the results give a close account of how the bass.

Topics: free improvisation, Linear Obsessional, bass clarinet, viola. Split CD from two young experimental artists from Teesside, UK. Plastiglomerate makes dense washes of sound using processed lo-tech analogue equipment - enveloping and engrossing studies in process and decay, using the rejected technology of previous decades.

Makes oddly detached keyboard music reminiscent of classical exercises or even a lounge pianist, as re-imagined by a under-programmed computer. 'Much beauty could be found in the physical world, with all its. Topics: experimental, Middlesbrough, electronic, Teesside, Linear Obsessional. DESCRIPTIONLinear Obsessional is a label for free digital recordings, and limited edition physical runs of experimental and improvised music by musicians from around the globe.Most of the music is published under a Creative Commons Attribution Non-Commercial ShareAlike 3.0 Unported License.

This meansthat the music presented here is free to download, and you are welcome (indeed encouraged) to share it, and use it how you wish, as long as full credit is given to the creators. There are a few exceptions, where the artist has specified a different licence, and the occasional physical release.Linear Obsessional is put together by Richard Sanderson, an improvising musician based in South London.For much more information please visit the.

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